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Places for Happiness: Community, Self, and Performance in the Philippines By William Peterson

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Review
In 'emplacing' community-based ritual performances in the basic need for happiness and edification, Peterson reminds us of ethnography's capacity to facilitate a more organic understanding of the human condition. This is a crucial contribution to scholarship on Christian ritual practices in the non-West, and a particularly timely one given Christendom's burgeoning demographic shift to the Global South. (Julius Bautista, Kyoto University)|Places for Happiness applies performance study methodologies to contemporary Filipino theatre and dance, filling in the sociopolitical contexts. This is a story of how multivalent participation in performance as spectators, actor-dancers, and/or political satirists creates social glue in forms as varied as sinakulo passion plays, ati-atihan street festivals, youth dance spectacle-contests, and the comic political satire of Mae Paner's 'Juana Change' persona who lampoons class privilege and political corruptions. This is much needed reading for comprehending the portrait of the Filipino as artist in a contemporary context and shows the Filipino use of the arts as a space to create and display cultural identity and communitas in ways that may simultaneously be local, national, and diasporic. (Kathy Foley, professor of theatre arts, University of California, Santa Cruz, and editor of Asian Theatre Journal)
About the Author
William Peterson is a senior lecturer in drama at Flinders University in Adelaide, Australia, and former director of the Centre for Theatre and Performance at Monash University in Melbourne.
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