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Fantasy (Genres in Context)
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Using a broad definition of fantasy to include myth, folklore, legend and fairy tale, this survey of the genre will entice as well as inform any student interested in the mysterious, mystical or magical. Beloved authors like J. R. R. Tolkien, Ursula K. Le Guin, William Morris and Robert E. Howard are examined closely.
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Product details
Series: Genres in Context
Paperback: 248 pages
Publisher: Routledge (January 4, 2002)
Language: English
ISBN-10: 9780415938907
ISBN-13: 978-0415938907
ASIN: 0415938902
Product Dimensions:
8.3 x 0.6 x 11.7 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#537,138 in Books (See Top 100 in Books)
This survey is the weak link in Routledge's stellar 'Genres in Context' series. The author's assessments of what he considers fantasy classics (Chapters 2, 3, 5, 6, and 7) are more perfunctory summaries than perspicacious critiques; the reader often has to construct thematic concerns from the motifs and details which the author haphazardly limns. The one chapter devoted to the history of modern fantasy (Chapter 1) is woefully inadequate, failing to inform the uninitiated reader of the true depth and breadth of fantastical writing. (A comparison to Brooks Landon's supernal post-1900 science fiction survey - also from the 'Genres in Context' series - makes the lacunae in this survey all the more evident.) This tome - if in its brevity, it can be called such - serves only as a poignant reminder of the dearth of comprehensive and pensive scholarship on the fantasy genre.
For the non-scholar, this book has plenty of information concerning the genre of fantasy, from its (supposed) origins in myth and folklore to its modern treatments. The structure of the book is helpful by identifying and describing different types of fantasy stories, from classic high fantasy like the Lord of the Rings to modern dark fantasy like the Conan stories. Even if the discussions become too focused on different stories' plots, you can still learn a great deal about what these stories are about and how to read them for maximum benefit. So this book is a good place to start, at least, for anyone interested in learning about fantasy as a genre.
Richard Matthews' grasp of the imagination knows no bounds. As a reader of all things Matthews, I do have to say that his talents cross all genres and if you have read this study, wait until you read his poetry.
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